Home » Artisans » SCA Artisan Love: THL Eva vanOldeBroek (+ Beginner Sprang Tutorial)

SCA Artisan Love: THL Eva vanOldeBroek (+ Beginner Sprang Tutorial)

[This is the second in a series of articles on SCA artisans who inspire, teach, encourage, and/or make the Society a better place for us all! I learned so much through other artisans while preparing for the A&S Pentathlon, and now it is my turn to shine the love on them, learn more about their craft, and introduce them to you.]


The Honorable Eva vanOldeBroek tells me she is “craft ADD,” but I beg to differ. Learning just one of her arts — sprang — took a considerable amount of focus and dedication on my part. I think a better term for this talented artisan would be “renaissance woman” of the A&S world! Her interests include the fiber arts, sprang, knitting, embroidering, sewing, weaving, calligraphy, illumination, sugar paste subtleties, and mead making!

eva-garterLady Eva hails from the Canton of Rimsholt in the Barony of Andelcrag some distance to the west of me and I first became aware of her arts through photographs. At several events last year, Eva wore the fretwork veil you can see in the photo above. It was absolutely lovely and instantly captivated me, making me curious about her. It wasn’t long before I began seeing her at events, always with a ready smile for me and anyone! Eventually I learned that Eva has been practicing her craft for over a dozen years in the SCA.  Eva started in the SCA in 2000, when she was first inspired to try inkle weaving by THL Cassandra of Glastonbury, who also introduced her to sprang years later. Artisans like Cassandra inspire Eva, who says, “I keep seeing such awesome new things that I just have to try them myself. There is always a growing list of skills I simply MUST have, mostly because I’ve seen someone doing really great work in it.”

When I asked Eva what her favorite project has been so far, she named her sprang garter that took a first place at Kingdom A&S last month. “The garter was a challenge, not just in actually braiding, but in figuring out the precise pattern,” says Eva. “There was a bit of trial and error before I decided on a technique that would closely match the original piece.” You can see a portion of the intricate sprang garter in the image above and a closeup to the right.

Eva really has a wide breadth of skills and knowledge. A look through her photo archive shows a fashion doll, a knitted beret, embroideries, a variety of Dutch headwear, fun sugarpaste projects, silk paintings, dozens of illuminated scrolls, and yards and yards of sprang. Here are just a few of her projects:

eva-embroidery eva-scroll eva-doll

You can see more of Eva’s work, and read about her projects and progress at her web site at http://evavano.dreamwidth.org. Eva was Andelcrag’s Baronial A&S Champion in  2009-2010, the recipient of the Order of the Evergreen, a consistent entrant and judge in our Midrealm A&S competitions, and a frequent teacher of classes on sprang and veils.

As I do, I asked Eva is there was something she could teach me. And as it happened, she was teaching a class that weekend in basic sprang. I took her excellent class and learned the basics. I went home, took photos of each step, and wrote down the directions so you could learn, too!

Beginner Sprang Tutorial (as taught by THL Eva van Oldebroek)

First, what is sprang? Sprang in a very old method of weaving (or braiding) threads together. Sprang looks a bit like netting or knitting in some forms, but sprang uses only warp threads — no weft. Sprang goes back to the Bronze Age and was still in use as late as the 16th century (and beyond). Eva told me that sprang can be used for garters, belts, hairnets, stockings, scarves, and other purposes where a flexible material is required. Working sprang reminds me a bit of a solo cat’s cradle game, if you remember that. Threads are pulled out and twist as you go along, creating an intriguing interlock.

Eva’s classes include a simple starter kit consisting of a frame made of PVC pipes and two dowels upon which she’s already wound the yarn. But for those of you at home who cannot get to one of Eva’s classes, here is a materials list:

  • Basic cotton yarn
  • PVC pipe pieces with a diameter of 1 inch (two  2’foot long pipes,  two 12″ long pipes, and four connectors — you can buy these inexpensively at home improvement stores)
  • Two 12″ wood dowels
  • 10 wooden sticks (like the sort you can buy for kabobs)
  • Instructions (Basic Sprang Handout PDF)

1. To get started, suspend your two dowels to the top and bottom of your frame like shown below. Tie it securely, but make sure you can untie it easily later (i.e., slipknot) as you’ll want to adjust the tension.


2. Now tie one end of your yarn to one end of one dowel, then begin wrapping the yarn (thread) around the two dowels in a figure-8 pattern, moving across. This is called warping. Continue until you have a good number of wraps — the one from Eva had 24 loops. When you’ve reached the end, tie the end off on the same dowel as your first tie.

sprang-frame-warped  sprang-frame-warped2

Note: Eva’s warp used two different colors, which was achieved by wrapping the center section separately in a different color.

2a. Check the tension on your warped threads. A lot of my problems were caused by the tension either being too loose or too tight. You want the threads to be stable enough to work with.

3. Now let’s organize our threads — insert one of your sticks into the top end of your threads, pulling the back ones forward and the front ones back alternately, as shown below. This really helped me get my threads separated!



4. Now it’s time to sprang! You will be alternating two rows of twists. Starting with the first row, pull the two rightmost back threads forward and the one rightmost front thread back, in that order, like shown below. You can use a stick or your fingers — I preferred to use my fingers, but it was harder to take a photo of that.


4a. Bring the next back thread forward and the next front thread backward. Repeat all across the row.


4b. Insert a second stick in the same spot as the first, as shown here:


4c. Push the lower stick all the way down to the bottom and the upper stick all the way up to the top, like this:


5. Now it’s time for the next row. This time instead of bringing the two rightmost back threads forward, you bring just the one rightmost back thread forward, like this:


5a. Bring the next back thread forward and the next front thread backward. Repeat all across the row.


5b. Insert another stick in the same spot and push the lower stick down and the upper stick up, just like in step 4c.

6. Continue alternating steps 4 and 5 until you run out of space (the twists will eventually meet in the middle), adjusting tension as necessary. If you lose your spot (forget whether you should start with two back threads or one back thread, just check to see how many threads you started with last time. In the photo below, you can see that I started with TWO threads on my last row (I’ve circled those two threads to make it easier to spot them), so my next row would start with one.


7. As you work each row, check that you got it right before moving on. I often would skip/jump a thread by accident and need to start over. Here’s what that common mistake looks like so you can identify it:


8. When you get to the middle, Eva says you can either use a crochet hook and “chain stitch” the threads together, or run a thread through the center. I chose the latter.


9. Remove the sticks.


10. Cut a long length of yarn and carefully thread it through the top loops as you remove the top dowel. Repeat with another piece of yarn for the bottom dowel.


11. You can leave it like this, or you can make your sprang into a pouch! To make a pouch, fold your piece in half in the middle (where you inserted that yarn in step 8), thread a large-eye needle with one end of the middle thread, and begin stitching up the sides through the loops on the ends. When you get to the top of the side, take several more stitches in the same spot then knot it securely. Repeat for the other side.


11a. To turn the top strings into a drawstring, switch one of your top-loop strings so it enters/exits from the opposite side of the other string. This enables you to pull on both and tightly cinch the top.


Tada! A beginner sprang pouch! Many thanks to Eva for teaching me how to do this. If you would like to learn more about sprang, check out Eva’s Advanced Sprang Techniques page. Eva also recommends the Sprang email list at Sprang-subscribe@yahoogroups.com, which includes several useful files including a copy of a Sprang Chronology started in Collingwood but added to by Maedb ingen Dungaile (also found here http://www.florilegium.org/?http%3A//www.florilegium.org/files/TEXTILES/sprang-chrono-art.html), and a very thorough bibliography (also found here http://www.cs.vassar.edu/~capriest/sprangbib.html).

THL Eva is a student of Mistress Gytha Arnarsdottir (also known as Catherine of Chester) and resides in the Canton of Rimsholt.  You can reach her through her web site at http://evavano.dreamwidth.org/.

Please help share the love for A&S and the artisans who create it by sharing this post with your friends! And if you know of an artisan that deserves to be called out, please post here and spread the word-fame!

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3 Comments to “SCA Artisan Love: THL Eva vanOldeBroek (+ Beginner Sprang Tutorial)”

  1. Thank you for sharing Eva’s class! Sprang is yet one more on the ever-growing list of things I want to learn.

    • Genoveva von Lübeck

      My pleasure! I hope it is helpful! Note that I uploaded a PDF of the tutorial, in case you want to save it so you don’t have to go hunting for this blog post again. 🙂

  2. I watched Eva from distance, teaching this wonderful technique. I would have loved to participate but was needed elsewhere during an event.
    She is a treasure!

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